For the first time in fashion history, the 1960s brought a number of diverse trends to the public. A number of these trends mirrored the social commentary taking place at the time, including women’s movements, racial movements, and love, sex, and drugs. The hippie movement, of course, also had an extensive influence on the fashion industry, and introduced styles such as bell-bottom jeans, paisley prints, and tye-dye fabrics. Without further adieu, let’s get into it!

Left: 1964 Babydoll Dress

The first garment to catch my eye in the 1960s is this black mini dress worn by Anneke Gronloh in 1964. Boxy shapes were very popular in the mid 1960s, because they were symbolic of the “space age look.” Thigh length hemlines were also very popular with the space age look, which we can see in the more modern dress on the right. The two dresses are also ruffled below the waist, and while they are different lengths, they still exude a youthful and elegant style. Skimpy spaghetti straps were popularized in the 1960s, and as we can see from the dress on the right, the inspiration has carried over clearly.

Left: Late 1960s Bride

In the late 1960s, white mini wedding dresses were very popular among young, stylish brides. With the mini dress being a fresh, new, exciting celebration of youth, it’s no wonder so many women wanted to celebrate their bodies with super-short dresses. There is a lot of “flower power” influence in the dress on the left, while on the right, the dress has been slightly updated with new materials. The modern dress uses lace on the sleeves, and appears to be a little bit longer than the 1960s dress. Nonetheless, both dresses are true to the 1960s style- flowing, short, and feminine. (Also, I apologize for the bad quality- this is the best shot of the dress I could get!)

Left: Woman in Singapore, 1967

With the popularity of psychedelic drugs in the 1960s, many garments began incorporating brightly-colored, Pop-Art patterns into women’s clothing. This was frequently combined with multiculturalism, which was also very popular in the 1960s. A lot of style inspiration was drawn from Morocco, Nepal, India, Bali, and African countries, and in this particular dress on the left, there is a great deal of global influence in the print. This modern Pucci dress, seen on the left, is iconic and reminiscent of the 1960s, especially in regards to the bright, psychedelic print. There is definitely royal Italian influence in the dress on the right, but I also see nods to both Indian and African cultures.  




The 1950s were a turbulent time in fashion history, and personally, one of my favorite decades to draw inspiration from. Now that the war was over, haute couture experienced a resurgence in popularity. While fitted waists and soft silhouettes were considered all the rage in the late 1940s, this was soon replaced by a new fashion statement: square shoulders and short skirts. In regards to game-changing textiles, polyester, acrylic, and spandex, and triacetate were all introduced in the 1950s.

Left: Christian Dior, 1954

The first garment that I was immediately inspired by is this 1954 silk taffeta ball gown designed by Christian Dior. Although it is a very feminine, soft dress, Dior has kept with the theme of the 1950s, and the dress is very constructed and contoured. The silhouette of his ball gown is structured by layers of taffeta, which he has sewn into the interlining of the skirt. On the right, this more modern take is designed by JJ’s House. Besides the obvious similarity in the color, these dresses also share a v-neck bodice, and slight draping on the skirt portion. I see a lot of Dior’s graceful yet structured elements in the more modern dress, and I definitely think inspiration was drawn from his 1950s pieces.

Left: Circa Mid 1950s

Another iconic development of the 1950s was the growth in intimate apparel. In order to achieve an hourglass silhouette, many ladies utilized intimate apparel to help enhance their curves and femininity. The boning on the lingerie was very light, but still emphasized curves and even gave the chest a pointier appearance (reminiscent of the bullet bra!). On the right, Bettie Page lingerie has made a comeback into the fashion market, and is beautifully historically accurate. The image on the left, from the early 1950s, is similar to the modern piece in regards to the mesh, boning, and underbust style. It’s so lovely that these elegant designs have carried into modern times, and now, they are readily available for all shapes and sizes.

Left: Elvis Presley, 1957

In regards to menswear, tight-fitting drainpipe jeans became popular for both men and women. Elvis Presley is a perfect example of the youthful rebellion of the late 1950s- and he emphasized this rebellion with tight-fitting jeans in Jailhouse Rock. Jeans were considered casual sportswear in the 1950s, and were usually worn ankle-length or calf-length. On the right, skinny jeans for both men and women have remained consistently fashionable, and are a stable in many wardrobes around the world. In fact, one of the only changes I’ve seen in jeans over the past sixty years is a slight change in length.



Welcome back to the 4th installation of my fashion journal! Today we are going to be focusing on the 1930s, which at the conclusion of the Great Depression, proved to be a turbulent time in fashion industry. Man-made fibers were one of the most exciting inventions of the 1930s, and included materials like rayon, nylon stockings, and viscose for linings and lingerie. Fashion trendsetters at this time were The Prince of Wales (King Edward VIII, until his abdication), his infamous companion Wallis Simpson, and movie stars like Joan Crawford. With that being said, let’s get into some of the more specific garments of the 1930s, and how they have created a lasting impact on the modern fashion industry.

Left: Tea Frocks, 1930

First and foremost, take a look at this absolutely gorgeous frilled dress. The feminine flutters of the 1930s drew inspiration from the earlier 1920s flapper, and this art-deco dress. The dress on the right draws inspiration from the dropped hemline, loose calf skirts, and split short sleeves. Additionally, the color pink was a SHOCKING revelation at the time, so the modern dress on the right is a pretty spot-on representation of the time!

On the left: Mohair and cashmere coat, made by J. Lubliner of London for Marshall & Snellgrove

Another trend of the time was a luxuriously fur-lined wool winter coat, and it doesn’t take a lot of online searching to realize that has not gone out of style, either. While many designers today have adapted to look to incorporate faux fur, the overall essence and boxy design of the coat is still present. Elsa Schiaparelli is one of the most notable designers of the 1930s who is credited with “changing the outline of fashion from soft to hard”. This 1930s mohair & cashmere coat pictured on the left is the ultimate representation of Schiaparelli’s envision for a masculine, boxy frame, while still remaining bold and elegant. The coat on the right was actually hand-crafted by the women wearing it, which is absolutely incredible! I’ll link her blog at the bottom, if you want to check out her other designs.

On the right: Gold Embossed Silk Dress by Roland Mouret

As I said, Edward VIII’s abdication of the throne to marry Wallis Simpson was one of (if not the ultimate) groundbreaking event of the decade. Though she was looked upon with notoriety, she did have an influential sense of style throughout her life. Designer Roland Mouret drew direct inspiration from Simpson when he created this gold embossed silky maxi-dress, which he stated was meant to be a tribute to her iconic wardrobe. Simpson is quoted as saying, “My husband gave up everything for me. I’m not a beautiful woman. I’m nothing to look at, so the only thing I can do is dress better than anyone else.” Wallis, you need not worry- your iconic sense of style is just as inspiring now as it was eighty years ago.

This Old Life:


When you think of the 1920s, you may think of glitz and glamour, parties and flappers. And certainly, the Gatsby-era we associate with the 1920s is a pretty accurate representation of the times. The 1920s was a mish-mosh of modernization, jazz, sportswear, and feminism- and the clothes definitely represent those themes. Let’s take a look at three iconic styles from the 1920s, and see how they’ve translated into fashion today.

Left: circa early 1920s

The boyish figure was a newfound revelation of the 1920s, but ironically, the flapper was not considered “stylish” by any standards at the time. The midi dress we see on the left is a perfect example of the rebellious young gal of the 20s- her dress is embellished with theatrical details and beading, and she’s dripping in luxurious amounts of jewelry. On the right, we can see how the flapper dress inspired the brand Venus- this midi dress is only one of the dozens of dresses that draw inspiration from the 1920s flapper. The slimming fringed dress is extremely similar in style to the 1920s dress, from the color and cut to the actual embellishments itself. Fringe on dresses budded as a popular trend in the 1920s, especially for the flappers. Can you imagine how lovely it would be to dance in a fringed dress, swinging all around you with movement? Now, with these vintage-inspired evening gowns, you can.

Left: 1923, mother with hands folded

One of my absolute favorite websites for vintage-inspired clothes is Unique Vintage, because they consistently deliver great-quality clothes. They’re also generally historically accurate, and draw a lot of inspiration from a variety of different decades. You may look at the dress on the right and assume it’s based on the 1940s, and while there are certainly elements, I actually see a lot of 1920s inspiration. Sometimes we forget that there were other women besides the flapper, such as a the mother pictured on the left. Besides the obvious similarities in pattern (polka-dots were a popular pattern at the time), there are similarities in the collar, dress length, and slight flare in the hip area. A notable difference, however, is the way the two dresses hang differently. A more masculine figure was seen as beautiful in the 1920s, so many women liked their chests and hips to look flat. On the right, however, the dress has been updated to hug the model’s curves, and emphasis a more feminine cut.

Left: Joan Bennett wearing Coco Chanel in 1928

Of course, if we’re going to talk about the 1920s, we cannot leave out the emergence of the little black dress. You may have remembered it, in some form or another, on a more modern figure like Audrey Hepburn. However, Chanel’s little black dress had already started picking up momentum long before that. On the left, we can see Joan Bennett wearing a 1928 LBD designed by Coco Chanel, and on the right is a modern Grace Karin evening gown. I was immediately stricken by the similarities in the slightly-revealing mesh collar area, and, of course, the sleeveless, slinky shape of both garments. Keeping with the trends of the 1920s, Chanel’s dress falls on Bennett in a masculine shape, concealing her curves and womanly figure. While the dress on the right has been slightly modernized, it still delivers that old-Hollywood glam that Chanel first pioneered, and personally, I think it’s a great interpretation of the golden age of glitz and glamour.






Hello, lovely people! The spring semester here at college is winding down, and as a part of my final project for a fashion history class, I am going to be putting out a fashion journal for every decade, from 1900 to 1999. Because of that, I’m going to be publishing FIVE articles a week, instead of three, because I already have my normal articles planned out and set to be published on their normal days. Basically, this is how the fashion journal is going to go: I’m going to post pictures of three garments from each decade, and compare it to a modern garment that was inspired by it. I’ll also be including the sources to the images at the bottom of each article, if you’re interested in looking further into it. Without further adieu, let’s jump into the 1910s!

On the left: 1907

The first garment that struck my eye is the arrow shirt collar, which was popular in women’s blouses in the 1910s. This collar was desirable to women, because they wanted to appear slim, and with a low, full chest. At the time, being slimmed and elongated meant you were a confident woman, so the silhouette was well-sought out. The garment on the left is pictured from 1907, and perfectly represents that “pigeon-breast” shape. In turn, we can see the inspiration from the arrow shirt collar in this modern blouse, which is manufactured by Farfetch. The flare style, long sleeves, and even the embroidery are reminiscent of the ideal womanly shape in the 1910s, and to this day, it’s still a very flattering, popular design.

On the left: Early Paul Poiret turban

Hair turbans were also very fashionable at the time, especially with the emergence of Paul Poiret’s designs. As a very theatrical, bold designer, Poiret loved to dress a sophisticated woman, who literally dressed from head to toe. The glittery, dazzling, romantic aura of Poiret’s turban (seen on the left) undeniably inspired the popularity of fashion turbans today. The turban on the right is designed by Julia Clancey, and everything from the backdrop to the turban itself screams “Poiret” to me. The modern turban strikes me as being very theatrical and glamorous, and that’s exactly the aura Paul Poiret wanted to put out.

Top: Early Homburg Hat, 1907

Now, let’s not leave out men’s fashion! Interestingly, the popular men’s hat on the left, the Homburg Hat, has now become universally unisex. The Homburg Hat was originally made of stiff wool felt, and was characterized by a single dent running down the center of the crown. On the bottom, we can still see the iconic dent, but this hat is made of faux fur and has an embellished bright feather on the side. Like I said, this hat has become a gender-less accessory, while still upkeeping a classic, old-fashioned beauty. It’s interesting to me how shapes and designs can transform socially, while still staying the same structurally, and the Homburg hat is a perfect example of that.


Coming up next: How Pixar Changed the Path of Animation Forever


IMG_3867.jpgHappy Spring, everybody!

It is indeed officially spring here in New England, and I couldn’t be happier. I do appreciate all the changing seasons, but spring will always hold a special place for me. I am a spring baby, after all, and I’ve always felt a very strong connection to nature. There’s something so sweet and humbling about the bursting of life around me- it inspires me to be the brightest version of myself that I can be.

Ironically, I’m sliding into spring with a quite darker tone. I’m still going to be rocking my vintage style, but I’ve amped it up from retro to rockabilly. I recently got my hair colored bright teal at a local hair salon, and since then, I’ve just been having so much fun playing around with this gothic-psychobilly aesthetic.


The first look I’m wearing is this lovely collared button-up dress by Gowntown. I love how stretchy and comfortable it is, and it looks gorgeous with and without a petticoat. Not that the weather is getting warmer, I probably won’t want to be wearing too many layers. I paired this dress with a black elastic headband, also from Amazon. Actually, now that I think about it, most of this stuff is from Amazon. The only downside that comes with constantly wearing black is the outrageous amount of lint my clothes gather, but luckily, I keep a lint roller in my purse at all times.


I also ordered this lovely off-the-shoulder scalloped dress, and I am absolutely in love with it. This dress hugs me in all the right places, the fabric is stretchy and comfortable, and the material feels thick and well-made. I’ve consistently been happy with my dresses from Belle Poque, so if you’re interested in getting into the vintage look, they are a great company to start with. As with any black garment, of course, this dress picks up dust and hair quite easily, so keep a lint roller nearby!


The third and final dress I’m adding to my spring wardrobe is this tight-fitting black polka-dot dress, and I have to say, I think this is my favorite dress at the moment. I’m not used to wearing bodycon dresses, as you may have noticed, so it’s definitely a new change for me. But hey, I’ve got a snatched body, so why not show off my curves proudly and work them? I’m also wearing a body shaper underneath this dress, which isn’t really doing much, but I’m still kind of obsessed with the concept of a body shaper. Is it a bra? Is it underwear? Is it just undercover lingerie? We may never know.


If you checked out my spring mood board that came out a little while back, then you know that I’ve been really into gothic arts, metal music, and alternative spirituality lately. I knew I had to add Ghost merchandise to my ever-growing collection of black t-shirts, and honestly, it was well worth the $23. I also went ahead and bought myself a copy of The Satanic Bible, because hey, why the heck not?

I feel like my approach to spirituality is much different than what people would assume, especially when it comes to green witchcraft and LaVeyan Satanism. To be honest, most people who are interested in satanism don’t even believe in the devil or remotely worship him, including myself. To me and many others, LaVeyan Satanism is appealing because it’s actually not about worshipping another being or a higher power- it’s about finding a higher power within yourself. I’m also attracted to the satanic ideologies of sexual freedom, creative rebellion, and connection to nature. That’s pretty much the extent of why I like satanism. I’m not going out into the woods wearing a mask and a cloak to sacrifice woodland animals or anything, so mom- you can relax!

Anyway, that was a bit of a tangent, but I like to make my views on religion/spirituality as clear as possible, and clarify that I don’t condemn violence or animal sacrifices, or anything fucked up like that. Moving on!


That’s pretty much the bulk of what I ordered this season, but I also brought some goodies from home, like my itsy-bitsy black pencil skirt, a hot topic dress with chemistry symbols on it (ADORABLE) and a pair of high-waisted mom jeans. I like my style to be flowy and interchangeable, and lately, I’ve also enjoyed drawing a lot of attention to my hips (it’s not like I have giant rack to show off anyway). The statement piece, of course, is my hair, and I am so thrilled with how it came out. Some people have actually asked me if it was a wig, which 1) I do take as a compliment, and 2) I totally agree with. I think that any time you dye directly all over your head, including the roots, you do tend to give your hair that wig-like appearance.


I hope you guys have enjoyed seeing all my spring outfits, as much as I have enjoyed showing them off to you! I’m happy to leave links to where I bought everything as well, if that’s something you’d like for me to add in. Happy Spring, everybody!


Gowntown Black and White Dress:

Scalloped Dress:

Bodycon Dress:


Ghost Shirt:

*Unfortunately, I don’t have a link for the chemistry dress; I don’t think Hot Topic makes it anymore*

Coming up next: What’s in Season in April?